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Artist Bio
Acquaetta Williams’s art has been a life journey from glassblower to sculpture and now painter. Her inspiration evolved from vision of African Images to tell the story of African American Women in a sense of relevance in a complexity of her feelings, thoughts and memories. Williams reflects on her past to form an identity. She tells a story in assemblages of materials contained in Giraffe Neck Women, Women Who Carry and then into Timekeepers and Deconstructing Time: Memories. and now Faceless Melodies. Her love for art was cemented under instructor and well known artist Harvey Littleton at the University of Wisconsin. were she received a MFA degree. An Arts International Travel Grant that was awarded to her included travels through Benin in West Africa. She has exhibited her art Nationally, in Uncommon Beauty in Common Objects: The Legacy of African American Craft Art which included a tour throughout the United States, visiting 5 major museum, as well as International: the International Glass Exhibition, Kanazawa, Japan and “Color 2018”, Czong Institute for Contemporary Art, Gyeonggi, Korea.
Her work as glassblower has been acknowledged in the permanent collections of Corning Museum of Glass in Corning, NY, the Museum of Arts and Design in NY, Racine Art Museum, WI and the National Afro-American Museum and Cultural Center, Wilberforce, Ohio.