Lowe's Building at the Capitol, Annapolis, MD
We invite you to listen to live bands play beautiful music in the park. Enjoy the sounds of Laureen Davis and the Kings, and enjoy wine tast...
Lowe's Building at the Capitol, Annapolis, MD
Finding Home, December 4th thru January 18th, Harmony Hall Arts Center, Fort Washington, MD
My art is a montage of fragmented forms, lyrical in movement, charged with emotions and woven together with subliminal messages; it echoes a social injustice. Edges are scarred with repeated rejection, seeking out answers and settling for revenge. Abstract shapes and forms combine a richness through saturated colors and diversity through textures. I tell my stories to reveal my emotions, to express my ideas and to find healing.
My “collage paintings” (ref. Lee Krasner) are made of diagonal, horizontal and vertical lines. I want to create in their shadows of surrealism, a juxtaposition of wildly dissimilar things a third reality to make what is invisible, visible and to bring a name to this protagonists. Their deeply etched faces are hide behind screen doors, offering up a glimmer of hope.
The contour of one shape guides the contour of the next shape’s outline. Each shape offers a juxtaposition between meditative and aggressive, a bridge between brittleness and fluidity. Its repetitive nature adds dimension and distinctive details; it complements my geometrical sense of balance.
Two sets of divided plans establish a space that paradoxically seems entirely flat.
The materials are of a diverse nature, they are the surfaces as well as depths of renderings: forms, lines and shapes. There are also the stories that emerge from these environments: stories about identity, love, compassion, anger, sensitivity and being human.
I offer the viewer a place where energy and matter are indistinguishable, explosions of saturated energy overpower the ridge stability of a rectangular space, establishing bold and shifting perspectives.
My collage paintings converge with the human spirit, the emotional agitation and sensitivity — the music. My art has always been about physical form, gritty textures, vibrant bold colors that speak to us with compassion and love.
www. acquaetta.com
Artist Bio
Acquaetta Williams’s art has been a life journey from glassblower to sculpture and now painter. Her inspiration evolved from vision of African Images to tell the story of African American Women in a sense of relevance in a complexity of her feelings, thoughts and memories. Williams reflects on her past to form an identity. She tells a story in assemblages of materials contained in Giraffe Neck Women, Women Who Carry and then into Timekeepers and Deconstructing Time: Memories. and now Faceless Melodies. Her love for art was cemented under instructor and well known artist Harvey Littleton at the University of Wisconsin. were she received a MFA degree. An Arts International Travel Grant that was awarded to her included travels through Benin in West Africa. She has exhibited her art Nationally, in Uncommon Beauty in Common Objects: The Legacy of African American Craft Art which included a tour throughout the United States, visiting 5 major museum, as well as International: the International Glass Exhibition, Kanazawa, Japan and “Color 2018”, Czong Institute for Contemporary Art, Gyeonggi, Korea.
Her work as glassblower has been acknowledged in the permanent collections of Corning Museum of Glass in Corning, NY, the Museum of Arts and Design in NY, Racine Art Museum, WI and the National Afro-American Museum and Cultural Center, Wilberforce, Ohio.
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